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01942nam a2200337 i 4500 |
| 001 |
37519 |
| 003 |
BD-DhAAL |
| 005 |
20220113153418.0 |
| 008 |
210707t2017 inu b s001 0 eng |
| 999 |
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|c 43246
|d 43246
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| 010 |
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|a 2016045756
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| 020 |
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|a 9780253026347 (cloth : alk. paper)
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| 020 |
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|a 9780253026859 (pbk. : alk. paper)
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| 020 |
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|z 9780253026903 (ebook)
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| 040 |
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|a DLC
|b eng
|c DLC
|e rda
|d DLC
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| 042 |
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|a pcc
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| 050 |
0 |
0 |
|a PN1995.9.D6
|b N539 2017
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| 082 |
0 |
0 |
|a 070.18
|2 23
|
| 100 |
1 |
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|a Nichols, Bill,
|d 1942-
|9 41110
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| 245 |
1 |
0 |
|a Introduction to documentary /
|c Bill Nichols
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| 250 |
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|a Third edition.
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| 260 |
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|a Bloomington :
|b Indiana University Press,
|c 2017
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| 300 |
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|a xvi, 258 pages :
|b illustrations ;
|c 26 cm.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
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| 526 |
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|a GenED
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| 541 |
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|a Karim International
|e 37519
|
| 650 |
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0 |
|a Documentary films
|x History and criticism.
|9 41111
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| 852 |
|
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|a Ayesha Abed Library
|c General Stacks
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| 942 |
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|2 ddc
|c BK
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| 952 |
|
|
|0 0
|1 0
|2 ddc
|4 0
|6 070_180000000000000_NIC
|7 0
|9 69353
|a BRACUL
|b BRACUL
|c GEN
|d 2021-06-30
|e Karim International
|g 3090.00
|l 1
|m 5
|o 070.18 NIC
|p 3010037519
|r 2023-01-17
|s 2022-11-29
|t 1
|v 3090.00
|w 2021-06-30
|y BK
|x Received during COVID-19 pandemic period(cataloguing from home)
|