Modernism, imperialism, and the historical sense /

"Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the t...

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Bibliographic Details
Main Author: Stasi, Paul, 1972-
Format: Book
Language:English
Published: Cambridge : Cambridge University Press, 2012.
Subjects:
Online Access:Cover image
Contributor biographical information
Publisher description
Table of contents only
Classic Catalogue: View this record in Classic Catalogue
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010 |a  2012006479 
020 |a 9781107021440 
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100 1 |a Stasi, Paul,  |d 1972-  |9 10174 
245 1 0 |a Modernism, imperialism, and the historical sense /  |c Paul Stasi. 
260 |a Cambridge :  |b Cambridge University Press,  |c 2012. 
300 |a ix, 188 pages ;  |c 23 cm 
500 |a Revision of the author's doctoral thesis, University of California, Berkeley, 2006. 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: Acknowledgments; Introduction: imperial structures of feeling; 1. The persistence of the past: modernism vs. imperial time; 2. The Waste Land and the unreal center of capitalist modernity; 3. Cosmopolitan kulchur: The Cantos as world literature; 4. Turning production into consumption: Ulysses and the construction of postcolonial agency; 5. 'Moments of pride in England': Virginia Woolf and the forms of national subjectivity; Coda: the Edwardian lumber room; Notes. 
520 |a "Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies"-- 
541 |e 28937 
600 1 0 |a Eliot, T. S.  |q (Thomas Stearns),  |d 1888-1965  |x Criticism and interpretation.  |9 10175 
600 1 0 |a Pound, Ezra,  |d 1885-1972  |x Criticism and interpretation.  |9 10176 
600 1 0 |a Joyce, James,  |d 1882-1941  |x Criticism and interpretation.  |9 10177 
600 1 0 |a Woolf, Virginia,  |d 1882-1941  |x Criticism and interpretation.  |9 10178 
650 0 |a Modernism (Literature)  |z United States.  |9 10179 
650 0 |a Modernism (Literature)  |z Great Britain.  |9 6535 
650 0 |a Imperialism in literature  |9 5625 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.  |2 bisacsh  |9 10180 
856 4 2 |3 Cover image  |u http://assets.cambridge.org/97811070/21440/cover/9781107021440.jpg 
856 4 2 |3 Contributor biographical information  |u http://www.loc.gov/catdir/enhancements/fy1210/2012006479-b.html 
856 4 2 |3 Publisher description  |u http://www.loc.gov/catdir/enhancements/fy1210/2012006479-d.html 
856 4 1 |3 Table of contents only  |u http://www.loc.gov/catdir/enhancements/fy1210/2012006479-t.html 
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