A study of film adaptation of Hamlet and Disgrace : moving from text to screen

This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, 2015.

Bibliographic Details
Main Author: Nahar, Ashrafun
Other Authors: Ahmed, Nawshaba
Format: Thesis
Language:English
Published: BRAC University 2016
Subjects:
Online Access:http://hdl.handle.net/10361/4764
id 10361-4764
record_format dspace
spelling 10361-47642019-09-30T04:24:02Z A study of film adaptation of Hamlet and Disgrace : moving from text to screen Nahar, Ashrafun Ahmed, Nawshaba Department of English and Humanities, BRAC University English and humanities Hamlet This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, 2015. Cataloged from PDF version of thesis. Includes bibliographical references (page 48-51). Literary adaptation has reached a new dimension in the postmodern era. Literary adaptations have gone through various technical and aesthetic changes over the last century and are done taking from the classical literary works to the contemporary literature as well. Almost all film industries around the world are interested in film adaptations nowadays. Because of the interest and innovation in adaptations as a film mode, it has become more of a vice-versa relation between the two forms of art. Not only films are being made taking the narrative from popular or classical literature, but literatures are also inspired and are being written based on films and Television sitcoms. These adaptations have dynamic impact on both the medium of art, cultural perception and the recipients. Since recreation and entertainment through TV and motion pictures are such a big part of postmodern life, the practice of adaptation demands cultural re-reading and research to establish the adaption as the new genre. This paper will look at the very art of film adaptation as a technique and also as a form of cultural transmission. This paper takes “Politics of adaptation theory” by Basil and Hatim and William Shakespeares‟ Hamlet and J.M. Coetzees‟ novel Disgrace as the texts. With the analysis of these two books I will show the technicalities executed by the directors and how their interpretative powers influence films and interpretation of texts through the lens of camera. As the film productions are from different times, from the 20th century and another is from 21st century, this paper will also focus on the visual differences and film culture of the centuries. Ashrafun Nahar M.A. in English 2016-01-12T12:58:31Z 2016-01-12T12:58:31Z 2015 2015-08 Thesis ID 13163010 http://hdl.handle.net/10361/4764 en BRAC University thesis are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 51 pages application/pdf BRAC University
institution Brac University
collection Institutional Repository
language English
topic English and humanities
Hamlet
spellingShingle English and humanities
Hamlet
Nahar, Ashrafun
A study of film adaptation of Hamlet and Disgrace : moving from text to screen
description This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, 2015.
author2 Ahmed, Nawshaba
author_facet Ahmed, Nawshaba
Nahar, Ashrafun
format Thesis
author Nahar, Ashrafun
author_sort Nahar, Ashrafun
title A study of film adaptation of Hamlet and Disgrace : moving from text to screen
title_short A study of film adaptation of Hamlet and Disgrace : moving from text to screen
title_full A study of film adaptation of Hamlet and Disgrace : moving from text to screen
title_fullStr A study of film adaptation of Hamlet and Disgrace : moving from text to screen
title_full_unstemmed A study of film adaptation of Hamlet and Disgrace : moving from text to screen
title_sort study of film adaptation of hamlet and disgrace : moving from text to screen
publisher BRAC University
publishDate 2016
url http://hdl.handle.net/10361/4764
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