Impressive Shakespeare : identity, authority and the imprint in Shakespearean drama / Harry Newman.

By:

Newman, Harry

Series: Material readings in early modern culturePublisher: New York, NY : Routledge, 2019Description: 199 pages : 24 cmISBN:

9781315588001 (Master)
9781317118329 (ePub)
9781317118336 ( Web)
9781317118312 (Mobi)

Subject(s):

DDC classification:

822.33 23

Summary: "Impressive Shakespeare reassesses Shakespeare's relationship with 'print culture' in light of his plays' engagement with the language and material culture of three interrelated 'impressing technologies': wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to 'imprint' early modern audiences and readers with ideas, morals and memories, and--looking to our own cultural moment--shows how Shakespeare has been historically constructed as an 'impressive' dramatist. Through material readings of four plays--Coriolanus, A Midsummer Night's Dream, Measure for Measure and The Winter's Tale--Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare's critical afterlife. The book pushes the boundaries of what we understand by 'print culture', and challenges assumptions about the emergence of concepts now central to Shakespeare's perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood"--

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Holdings
Item type	Current library	Home library	Call number	Copy number	Status	Date due	Barcode	Item holds
Book	Ayesha Abed Library General Stacks	Ayesha Abed Library General Stacks	822.33 NEW (Browse shelf(Opens below))	1	Available		3010036823

Total holds: 0

Includes bibliographical references and index.

"Impressive Shakespeare reassesses Shakespeare's relationship with 'print culture' in light of his plays' engagement with the language and material culture of three interrelated 'impressing technologies': wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to 'imprint' early modern audiences and readers with ideas, morals and memories, and--looking to our own cultural moment--shows how Shakespeare has been historically constructed as an 'impressive' dramatist. Through material readings of four plays--Coriolanus, A Midsummer Night's Dream, Measure for Measure and The Winter's Tale--Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare's critical afterlife. The book pushes the boundaries of what we understand by 'print culture', and challenges assumptions about the emergence of concepts now central to Shakespeare's perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood"--

ENH

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